THE DEFINITIVE 360 MAKEUP ARTIST'S DICTIONARY.
TO
Fan-shaped brush used to remove any product texture. They can also be used to create strokes.
Acetone
Powerful solvent used to dissolve the edges of Glatpan skullcaps or to clean metal tools. Slang: "Beware of acetone near your eyes."
ACRYLATE
A family of adhesives and resins. At FX, acrylic-based adhesives (like Pros-Aide) are the standard for their safety.
ACRYLIC (Paint)
Used in the workshop to paint rigid molds, but never directly on skin or silicone prostheses (for that we use alcohol inks).
AD (Assistant Director)
He's the ringmaster. The 1st AD keeps track of time, and the 2nd AD usually coordinates your communication with the actors. Get along with them, and your makeup schedule will be respected.
CONTACT ADHESIVE
Glue that is applied to both surfaces (skin and prosthesis) and allowed to dry before joining.
Skin-safe glue, the basis of most professional FX applications.
Airbrushing: A technique for spraying pigment for ultra-fine finishes in film and fashion.
AIRBRUSH (DUAL ACTION)
A tool that allows you to control both airflow and paint flow. Essential for realism.
Agency
The client's representatives are on set. The makeup artist must know that they have the final say on whether the look is "too much or too little."
Micellar Water
Aqueous cleansing product that removes makeup, dirt and oil from the skin.
THERMAL WATER
Product to refresh the skin without dehydrating it, calming the burning sensation and optimizing the action of skin care and repair creams.
SMOKED
Eye makeup technique that consists of applying dense, dark color around the eye and blending that color to add intensity.
ALGINATE (CHROMATOGRAPHIC)
Powder derived from algae that, when mixed with water, creates a quick and safe mold of the face or body.
More than a camera, it's a technical requirement. It mandates the use of micronized pigments that don't appear as "texture" on screen.
ANTISEPSIS Process of disinfecting the actor's skin before applying adhesives to prevent folliculitis.
Apparatus
(Filmmaking slang) This refers to technical camera or lighting equipment. "Watch out for the equipment" is a warning to prevent the makeup artist from tripping on set.
Park
When the camera or lighting crew stops and you have permission to come in to do touch-ups. "Camera, park, makeup in."
APPLY
Generic term for any prefabricated piece (mustache, small wound, jewel) that is glued to the face.
Aquacolor
Water-based makeup line . Essential for body painting and character makeup bases that don't require the extreme resistance of alcohol.
Ardell
Leading brand in false eyelashes. In filming, their individual lashes are the standard for a natural look that withstands HD.
LATEX SCRUNCH (OLD AGE STIPPLE)
Liquid latex that is applied to stretched skin to create realistic wrinkles when released.
MAKEUP ASSISTANT
The right-hand person on set. They handle touch-ups, keeping the briefcase clean, and organization.
AUTHOR OF THE WORK
In large productions, he is the one who designs the character, although he is not always the one who applies it every day.
Assistant Director (AD)
The driving force on set. They're the one who dictates the timing. The 360 Makeup Artist needs to get along well with the 1st AD to know how much real time they have for "hot touch-ups."
B
Let translucent powder "cook" over concealer for a flawless finish. A popular choice for drag and long social events.
BALDIEZ
Plastic-based encapsulator that dissolves with acetone. Ideal for invisible edges.
BANANA
Eye socket area. In makeup, it's often said that "defining the banana" refers to applying dark eyeshadow to that area.
TOOTH VARNISH
Pigmented product to simulate cavities, nicotine or blood on the teeth.
Base
Product that evens out skin tone.
Base Camp
Base camp on set. This is usually where all the on-location production offices are located.
FOUNDATION (Oil-free / Water-based / Silicone-based)
Knowing how to differentiate them is key to preventing them from "cutting" when mixed.
BB CREAM
It combines moisturizer and makeup base in a single product.
Beauty (Makeup)
Filming term to refer to standard beauty makeup, without effects.
Beauty Pass
The moment when the director asks for a quick touch-up so that the model or actress looks impeccable just before filming.
Beauty Shot
The most important shot in a commercial, where the makeup must look perfect, without a single smudge or shine out of place.
Ben Nye
A brand founded by the head makeup artist of 20th Century Fox. Its Banana powder is legendary, but its true strength lies in its theatrical products and its Stage Blood .
Biphasic
Two-phase makeup remover (oil and water), essential for removing soft glues and tough eyeshadows.
BEVELED
Angled-head brush used for drawing lines.
Blocking
Technique of hiding eyebrows using adhesives (such as glue stick or Mastix) to create a smooth surface and be able to apply makeup on top.
Mouth
Mold of an actor's teeth to create dental prostheses (fangs, rotten dentures).
Bondo (TRANSFER)
Pros-Aide putty for creating realistic prosthetic transfers.
Bond Off
Smith's brand is the industry standard . It's an oil-based adhesive remover specifically designed to lift prosthetics bonded with Pros-Aide without irritation. Slang: "Pass me the Bond Off, we're going to remove the character's makeup."
Safety edge
The extra margin in a flat mold prevents the Bondo from overflowing.
Tassel
A very useful tool for applying powder to the skin to set makeup.
Box Rental
The daily rental fee you charge the production company for using your equipment. "My rate is X plus Box Rental"
Break
This is a critical moment for the makeup artist; it's when the actors eat and the makeup is usually ruined.
Briefing
The document (or meeting) where the photographer and stylist explain the "vibe" of the session. The makeup artist must interpret it to suggest textures.
Set shine
The cinematographer's number one enemy. The makeup artist must always be ready with blotting powders or paper towels.
Air Bubble
The enemy in the workshop. They are eliminated using vacuum chambers or slinging.
C
Fumed silica used to thicken Pros-Aide and make homemade Bondo. Caution: Always wear a mask.
Prosthesis that covers the hair to simulate total baldness.
Call Sheet (Work Order)
The sacred document. It's the sheet that details each actor's call time and the necessary effects. The makeup artist must read it the night before to prepare the kit.
Call Time (Appointment Time)
The time the makeup artist should be setting up their workstation, not the time they arrive at the parking lot.
In the workshop, the clay base on which a design is placed before pouring the silicone mold.
High-coverage makeup designed to cover tattoos, burns, or vitiligo.
A thin layer of material placed over a mold to protect it during demolding.
The rigid mold (usually made of resin or plaster) that holds the silicone mold in place so that it does not deform.
In FX, the process of pouring the material (silicone, Bondo, foam) into the mold.
Catchlight
The reflection of light in the model's eyes. The makeup artist must ensure that the eye makeup does not block or muddy this sparkle that brings the eyes to life.
Close the Box
When the camera operator adjusts the zoom so that only the face is visible, this is where the 360 Makeup Artist needs to be most meticulous.
Close the set
Director's order. No one enters, no one leaves. A moment of absolute silence for the makeup artist.
Camera check When the actor stands in front of the lens so the makeup artist can see how the work looks under the actual set lights.
Lights Check
This is the moment the director of photography tests the lighting with the actor. It's your golden opportunity to look at the monitor and see if the prosthetic "sings out" (if the trick is noticeable) under those lights.
Checking
The action of entering the set to check the makeup on the monitor ( Combo ). "I'm going to do a check" is the professional way to request entry.
Citation
The exact time you need to be on set or in the makeup truck. Remember: "If you arrive on time, you're late; if you arrive early, you're on time."
Claim
In advertising, it is the phrase or promise of the product that the makeup should help to sell visually (e.g., "endless eyelashes" or "radiant skin").
Clapperboard
Visual reference. The makeup artist usually looks at it to note in which shot each continuity was used.
Clapperboard
The moment the shot begins. The makeup artist must be out of the frame before this happens.
Combo
The area where the monitors are located so the director and crew can see what the camera is capturing. The makeup artist should watch the monitors to detect glare or continuity errors that aren't visible to the naked eye.
Background color (Undertone)
The actual temperature of the skin (cold, warm, neutral, olive).
COLORIMETRY
Scientific and artistic study of colors to select tones that enhance beauty and neutralize imperfections.
Contouring: Shaping the face using light and shadow.
Continuity (Script/Raccord) Photographic documentation of each process to ensure that the makeup is identical in shots recorded on different days.
Script Continuity (Script Supervisor)
Your best ally. This is the person who will let you know if a character is wearing the same shirt as yesterday, helping you to ensure the makeup ( continuity ) also matches.
Color corrector Use of the color wheel (orange for blue dark circles, green for redness).
Mixing Palette Metal spatula and palette knife where the products are mixed to avoid contaminating the original containers.
CUT CREASE A technique that visually cuts the eyelid crease, creating a marked separation between the thin eyelid and the mobile eyelid to give a bigger and more defined look.
D
The footage recorded during the day is reviewed by the directing and makeup team to ensure continuity and color are correct before dismantling the set.
Decantation
This is a workshop process where the pigments or materials settle. In FX, it is vital to mix the silicones well to prevent the components from settling and the mold from curing.
Color transition technique. In beauty it's the "smokey eye"; in FX it's making the prosthetic color disappear into the real skin.
DEPOTAR
Process of extracting product from original packaging to another that saves space (e.g., in a color palette).
Dermatograph
A special pencil is used to mark on the actor's skin exactly where the silicone pieces will be glued.
DERMOGRAPHISM
Skin reaction to touch. A makeup artist needs to know if their actor has sensitive skin before applying strong adhesives.
Deep color correction technique for skin with pathologies or scars.
Release Agent A substance (petroleum jelly, silicone spray) that prevents the mold from sticking to the piece or model. Slang: "Did you use enough release agent, or are we going to have to break the mold?"
Dick Smith
The "Godfather" of special effects makeup. He revolutionized the industry with his multi-piece prosthetic system in The Exorcist and Amadeus . He mentored almost all of today's great artists.
BLEND
Sponge for liquid/cream products.
Digital / Polar
Natural photos of the model without makeup. These allow the makeup artist to see the actual skin structure before beginning.
Diorama
Scale model for planning large-scale creature makeup or fictional scenarios.
Dipping
Workshop technique that consists of immersing a positive in liquid material (such as latex or Baldiez) to create a uniform layer, very common in the creation of skullcaps.
Art Director
The person responsible for the visual aesthetics (colors, textures of the sets). The makeup must be in harmony with the color palette he has designed so that the character does not "look out of place" in the room.
Director of Photography (DoP / DF)
Your best ally or your worst nightmare. They're the one who decides the lighting. A 360 Makeup Artist always asks, "What kind of light are you going to use?" to adjust the brightness or color intensity.
The preliminary creative phase. Includes sketches, historical references, and color tests.
Downtime
Downtime on set. A 360 Makeup Artist uses this time to clean brushes, reorganize their kit, or prepare prosthetics for the next day.
Dumping
In the workshop, the act of pouring the excess material from a mold to leave only a thin layer (as when making skullcaps).
Duo
A brand of eyelash adhesive (owned by Ardell) that has become a generic term. Essential for beauty and for small details in character makeup.
Shore Hardness
The "ID" of your materials. It is measured with a durometer.
-
Shore 00: Gel-type silicones, extremely soft (prosthesis).
-
Shore A: Silicones for molds. A Shore 30A is Lolita's standard for durable molds.
AND
Artistic and avant-garde makeup that doesn't strive for "commercial perfection," but rather to tell a story or convey an emotion. This term can also be used to describe fashion shoots.
Digital Effects (VFX)
Unlike physical effects, these are done in post-production. The makeup artist sometimes needs to place "tracking points" (green or orange dots) on the makeup so that the digital team can then add effects.
Mechanical (Anatomical) Effects
Prosthetics that have internal movement (cables, servos). The FX makeup artist must coordinate with the mechanical effects team.
"Guerrilla" makeup. Create a cut using only thick blood and a toothpick, or dirt with cleaning powder.
Efflorescence White spots appear on some materials due to humidity. A common mistake in the storage of latex foam prostheses.
Elastomer Any material with elastic properties, such as silicone or rubber, the basis of our industry.
Electric
Under the Gaffer's orders, they are the ones who move the lights. Never touch a light yourself to better illuminate your actor; ask them to do it.
The art of creating a plastic "skin" (Baldiez/Glatzan) that envelops the soft silicone so that the edges dissolve with solvent.
The process of adding years to an actor. It can be "beauty" (subtle) or "prosthetic" (with pieces).
Enter Combo
Go to the monitor area to view the image. As a 360 Makeup Artist, you don't ask permission to look, you ask permission to "check" the skin texture on screen.
Grayscale This is a test the Director of Photography performs. The makeup artist needs to know how their colors translate to black and white if the film is monochrome.
Outline
A document summarizing the order of the scenes to be filmed. This is vital for the makeup artist to plan how much time they have for each look change.
Modeling spatula
Tools (lecrons, hollowing tools) to give texture to clay.
Sponge
Tools (latex, foam, natural) that serve to apply product with different finishes depending on the type.
Latex Foam
Classic Hollywood material. It requires baking and is porous, allowing the skin to breathe better than silicone.
Set the Look
The character creation process takes place during makeup tests prior to filming. Once established, the makeup cannot be changed without director's permission.
Establish the Continuity
This is the first time a makeup look has been filmed. From that point on, that look is "locked" and cannot be changed for the entire film.
Episodic
An actor who only appears in one episode. The makeup artist must treat him with the same precision as the lead actor to maintain the production's quality.
Color Grading
Color grading process. The makeup artist must know that color grading can change the tone of their makeup, so pre-camera tests are vital.
F
Drawing the makeup design on paper before the actual application.
Face Off
The term was popularized by the TV show, but on set it's used for the process of removing all makeup at the end of the day.
Figuration
The extras. The 360 Makeup Artist must coordinate the look of the extras to ensure it is consistent with that of the main characters, so as not to disrupt the overall aesthetic.
Flat Mould
Lolita Makeup Shop specializes in single-sided molds designed to create ultra-fast Bondo or silicone transfers without the need for a counter-mold.
FLAWLESS
Anglicism to define “ The perfect finish ”. Fine, uniform and natural.
Fleet Street
PPI 's blood and aging products are renowned for their non-staining properties, drying to a realistic look that won't stain costumes.
Flocking
Tiny colored fibers that blend with silicone to simulate capillaries and intrinsic depth in the "flesh".
Wardrobe essentials (Kit)
The basic materials that a makeup artist always carries, no matter what.
Still photo
Production photographer who documents the work. Their photos form the basis of your professional portfolio.
Off Frame / Off Field
Everything that doesn't appear in the recorded image. That's where the makeup artist stands "on guard" with their retouching kit.
Full Body
Makeup or characterization that covers the entire body, not just the face.
G
The person directly responsible for lighting. If you have a problem with persistent glare on a prosthetic, the gaffer can help by adjusting a filter or flag to reduce the direct light.
Gelatin
Inexpensive and biodegradable material for special effects. Ideal for practice or short shoots, although heat is its enemy. This can also refer to color filters for lighting.
Two-component silicones that are mixed and applied directly to the skin for fast wound healing.
Professional liquid plastic to create shell and encapsulated edges.
Agent used in FX to simulate constant sweat or tears.
GLITTER
In makeup, it is a product composed of small, shiny particles designed to create a luminous effect.
GLOSS
Glossy, wet finish in makeup.
Shellac
Varnish used in the workshop to seal plaster molds before pouring silicone.
Makeup style or Cinema focused on the bloody and visceral.
A leading American brand in HD makeup and character makeup. Their cream palettes are famous for their high pigmentation and suitability for 4K cameras.
Skin grain
The micro-detailed texture of the pores. A 360 Makeup Artist knows that if the prosthesis doesn't have grain, it will look like plastic.
Green Marble Sale
High-power setting spray (from PPI) that creates a water- and smudge-resistant barrier. It is widely used to seal makeup that needs to last under extreme humidity conditions.
Grip
The technician in charge of camera supports and complex movements (tracking shots, cranes). You must be careful not to leave your briefcase in their walkways or on their tracks.
GROOMING
Men's makeup or cosmetic trends
GUIPILLON
Eyelash brush characterized by its shape.
H
In Spain, the Makeup and Hair departments often work together, but on large productions they are separate. Coordination is vital to prevent the wig glue from smudging the forehead makeup.
Hardener
Chemical component that is added to condensation resins or silicones to initiate the polymerization (drying) process.
HD (High Definition)
Technical standard of current cameras. The 360 Makeup Artist knows that in HD "less is more", since the lenses capture the thickness of the pigment.
Hematoma
Accumulation of blood under the skin. In makeup, this is recreated using the layering technique: first yellow/green (healing stage) and then purple/red in the center.
Haemostatic
Product (like a styptic pencil) used on set to stop small real cuts on the actor before applying makeup.
Hero Product
The star product being advertised. If it's makeup, the professional must know how to apply it so that it looks "like in a catalog" under the advertising lights.
Preparing the skin before applying any long-lasting product.
Illuminating product to highlight the high points of the face.
Set Hygiene
The sacred protocol. Use of palettes, disposable spatulas and alcohol to avoid contaminating the products between actors.
Hyperrealism
Extreme level of detail including imperfections, sunspots, broken capillaries and asymmetrical textures so that fiction is indistinguishable from reality.
Continuity Sheet / Face Chart of Set
It's not just the artistic drawing; it's the technical sheet where you note: "Take 4, thick blood on right temple, sweat in T-zone." Without this, continuity editing is impossible.
Expense Sheet (BOX RENTAL)
Part of the business side of the 360 Makeup Artist. It is the registration of what is purchased (consumables, prosthetics) so that the production company can reimburse it.
Concrete (Technical Plaster)
Materials such as Jesmonite or high-hardness plasters used to create the counter-molds or casings of the silicone molds.
BAKING
Set the concealer with powder for longer wear.
Yo
The most important liquid in the kit. At 99% purity, it can be used to clean oil from the skin, activate alcohol wipes, and disinfect tools.
IPS (Medical Grade Isopropyl Alcohol)
Variant used specifically for contact with sensitive skin.
Inhibition
Chemical failure that prevents the silicone from drying (avoid contact with latex).
Platinum Inhibition
The biggest disaster in the workshop. It happens when platinum silicone doesn't cure and remains sticky for life after coming into contact with sulfur (latex), tin, or certain types of resin.
Silicone Injection
Workshop technique where silicone is introduced into the mold by pressure (syringes or machines) to avoid air bubbles.
Intrinsic (Color)
The color is added within the material (by mixing pigment with liquid silicone) before it dries. It provides a depth that surface color cannot replicate.
Iris
In the creation of prosthetic eyes, it's the pigmented part. A 360 Makeup Artist knows how to paint irises with glazes to bring creatures or replicas to life.
J
Head of makeup for an audiovisual production.
Filming Day
Standard working hours (generally 10-12 hours). A professional should know how to budget for their overtime.
Mixing Syringe
Tool used to accurately measure parts A and B of silicones or to inject material into closed molds.
K
Name of a thick, densely packed brush of Japanese origin used to apply powder to the face.
KAJAL
Name of an Indian-made eyeliner brush. Used for both inner and outer eyeliner.
KHOL
Intense black powder used by Arab women to line their waterline. " Khol " style pencils have a creamy texture.
Kit Fee
Billing concept for the use of consumable materials by the makeup artist.
Kicker (Cut-off Light)
Lighting term. This refers to light coming from behind or from the side. The makeup artist should check that the edges of the prosthetics don't shine under the "kicker" light.
Kryolan
One of the pioneering brands and a global benchmark in professional and character makeup.
KY Jelly
Although it is a water-based lubricant, in the world of FX it is used to simulate mucus, wet gums or the inside of open wounds in a way that is safe for the actor's mucous membranes.
L
(Set slang) The last moment before filming when the makeup artist comes in to do the final touch-up. It's a moment of maximum tension and speed.
Liquid Latex
Natural rubber used for quick effects or skullcaps. Note: Always ask the actor if they have a latex allergy before using it.
Layout
The preliminary visual sketch that the agency sends to the makeup artist so that the work fits with the brand identity.
CAT'S TONGUE
The name given to a brush whose shape resembles a cat's tongue. They are commonly used for foundation and concealer.
Life-Cast
The process of taking a negative mold of a real person (face, hands, full body) using alginate or skin contact silicone.
Skin Cleansing
Step 0. If there is grease or sweat, no adhesive (Pros-Aide or Mastix) will work properly.
Water lines
The lower lash line. These are usually made up with eyeliner pencils.
Langer lines
These are the skin's natural tension lines. If you attach a prosthesis following these lines, the piece will wrinkle and move just like the actor's face, preventing it from peeling off.
Liner (Brush)
A brush with long, fine hair used for painting veins, capillaries, or precise details in beauty.
Lip Stick
A product, usually in stick form, that colors and gives shine to the lips.
Lip liner
Lip liner.
Look
The complete visual proposal of the character, approved by direction and photography.
Knowledge of the set to avoid unwanted color changes on camera.
Makeup Light
The specific light you request in the combo to see if the edges of the silicone are invisible.
Set Lighting
The factor that changes everything. Makeup that looks perfect in the dressing room mirror can disappear or look exaggerated under the 5000W spotlights on set.
M
The main actors. The 360 Makeup Artist usually takes care of them, while delegating the extras to his assistants.
Makeup Pick-up
Additional recordings are made days after the main shoot to fix specific shots. This requires a perfect visual memory and continuity notes.
Brands
Floor markings (usually masking tape) indicate where the actor should stand. The makeup artist needs to know these markings to avoid obstructing camera movement during touch-ups.
Tracking Marks
Colored dots (usually green or orange) that you draw on the skin so that the VFX team can add digital effects in post-production.
Mastix (Spirit Gum)
The oldest and most classic adhesive in the industry. Made from resins, it's ideal for wigs and mustaches. Slang: "Give him some Mastix, his sideburns are falling off."
This product is designed to neutralize shine or change the undertone of foundation. A must-have on set to prevent your skin from looking sweaty on camera.
Model (Maquette)
A small-scale sculpture of a creature or character for the director to approve the design before spending material on a full-size model.
Maqpro
A French brand famous for its "Fard Crème," a wax foundation that allows for everything from sheer coverage to full camouflage. It's a favorite among many period makeup artists.
MATTIFYING
Product that provides a matte finish and eliminates the appearance of shine.
Matte
High coverage and matte finish (no shine).
Max Factor
The man who coined the term "makeup." He created the first film makeup ( Pancake ) and was responsible for some of the most iconic looks of Hollywood's golden age. Without him, the profession wouldn't exist as we know it.
Mehron
A historic New York brand, a leader in theatrical and performance makeup. Their "Barrier Spray" is a must-have for setting makeup.
Methylcellulose
Powder that, when mixed with water, creates a perfect viscosity to simulate drool, alien fluids, or mucus safely for the actor.
Modeling
The art of shaping clay over the actor's bust. That's where the magic of special effects is born.
Moiré
The optical effect of "flickering" that occurs on screen with certain patterns. In makeup, it can occur if we use excessively repetitive glitter or textures in HD.
Stippling
A technique for applying color by dabbing with a textured sponge (or brush). It breaks up the flatness of the makeup and creates realistic pores, freckles, and blemishes.
Mood
The atmosphere of the session. "A nineties mood" or "a futuristic mood".
Moodboard
Your visual bible. A collage of references (real photos, textures, colors) that defines the aesthetic of the project before starting.
Engine
The voice indicating that the camera and sound are recording. At this moment, absolute silence must be maintained on set.
MUA (Makeup Artist)
International acronym. In a set, it is used to quickly identify the position on clothing or a briefcase.
Tag
A tool or product that a makeup artist can't live without. For many, it's their favorite brush or their trusted alcohol palette.
N
The mold contains the reverse shape of the design. The final prosthesis will be made from this.
Neutralize
Use color theory to cancel out unwanted tones. Orange cancels out blue (dark circles), green cancels out red (irritations).
Nitrile
The material your workshop gloves should be made of. Unlike latex, nitrile does not inhibit platinum silicone.
Bubble level
Workshop tool used to ensure that large molds are level when pouring material and to prevent a prosthesis from coming out thicker on one side than the other.
No-Makeup Makeup
The most difficult fashion technique; making the model look like she's wearing nothing when in reality she's wearing extensive skin preparation.
NUDE
EITHER
In terms of skin health, it's the effect of "covering" the skin with prosthetics. A 360 Makeup Artist monitors how long the actor has been covered to prevent dermatitis.
Oil-free
Oil-free products, vital for oily skin on set or to ensure that certain adhesives do not slip.
Opacifier
Additive that is mixed with transparent silicone to make it more opaque and more like the density of human flesh.
Out of Kit
The art of improvisation. Creating effects of wounds, burns, or zombies using only what you have in your kit, without pre-molded prosthetics.
OverLIP
A viral makeup technique that creates the illusion of fuller, plumper lips by subtly outlining them outside their natural contour.
Overtime
On set, the days get longer. A professional must know how to manage their energy and equipment when a 10-hour day turns into a 14-hour one.
P
The shot where the product is the star. If the ad is for cosmetics, the makeup in this shot must be "absolutely perfect".
PackAGING
Product container or packaging.
PAA (Prosthetic Adhesive Accelerator)
Product that accelerates the drying time of adhesives such as Pros-Aide, vital when time in the dressing room is limited.
Mixing palette
A metal or acrylic plate where the product is placed. The golden rule: never take product directly from the container with your fingers.
Dry makeup that is only activated with 99% IPA. It's the standard in film because once dry it's water, sweat, and rub resistant.
Packages (Dailies)
The footage recorded during the day is reviewed at the end. The makeup artist must be alert for any continuity errors that weren't visible on the set monitor.
Skin patch test
Allergy test done behind the ear or on the forearm 24 hours before applying a new adhesive to an actor.
Makeup Part
This document, where the department head records the products used and the time spent on each character, is the official record for the production company.
Production Part
The document where you sign your hours. A 360 Makeup Artist knows that their hours start from the moment they arrive at the truck, not from when filming begins.
Go through the changing room
The last step before going on set. You must be careful not to stain the costume with fresh blood or powder while doing the final touch-up.
Pat McGrath
Considered the world's most influential makeup artist by Vogue magazine , she is the queen of the catwalk and editorial innovation, taking fashion makeup to haute couture levels with impossible textures.
Film Hairdresser
Specialists in wigs and period hairstyles. They work right next to you in the dressing room; the order of work is usually hair first and then makeup (or vice versa depending on the design).
PEARLY
Pearl effect finish in makeup.
Camera Skin
The appearance of the skin under the set lighting. The 360 makeup artist doesn't apply makeup for the human eye, but for the camera lens.
Orange peel
Unwanted rough texture that appears if Bondo or silicone has not been applied correctly to the mold.
Pigment
To give color to a character or element.
Pigment
Powdered substance (particles) used to color other materials. These are distinct from coloring dyes.
Intrinsic pigment
Colorant that is added to the liquid silicone mixture. It is what gives the meat its "base tone" from within the piece.
Lighting Plant
The scheme that the Gaffer and the DoP design. Understanding it helps you know where the "blow" of light that could betray your prosthesis will come from.
Polaroid / Digital
Natural photos are taken of the model before applying makeup to see her real bone structure and the condition of her skin.
Polymerization
The chemical process by which your materials change from a liquid to a solid state.
Exothermic Polymerization
The heat released by some materials (such as plaster or resin) as they dry. The makeup artist should warn the actor if they feel heat during a lifecast.
Wigmaking
The art of working with hair: creating wigs, beards and mustaches hair by hair on tulle.
Post-production
The post-production phase involves editing, color grading, and digital effects. The makeup artist must submit the continuity report so the editor knows which takes are correct.
PPI (Premiere Products Inc.)
The giant behind brands like Skin Illustrator and Telesis . It's the chemical basis for most of Hollywood's special effects.
PREBASE
Product to prepare the skin before makeup, providing durability.
Pro-Aide
FX, the world's most famous contact adhesive. It's water-based and, once dry, becomes incredibly sticky and strong.
Prosthesis
Any piece (made of silicone, jelly, or Bondo) that is applied to the body to alter its appearance.
Tracking Points (TRACKING)
Small marks (colored dots) that the makeup artist places on the face so that the VFX (Post-production) team can "anchor" digital effects onto the physical makeup.
Q
Structural protein of hair and nails. The 360 makeup artist must understand its behavior to apply hairpieces or perform technical manicures on period film sets.
Keratosis
Skin alteration that creates rough textures. In character makeup, it is usually simulated with mixtures of latex and breadcrumbs or texture pastes for elderly characters.
Materials Chemistry
The study of how components (A+B) react is fundamental to preventing disasters such as inhibition or understanding why an adhesive fails to bond in extremely humid environments.
Adhesive remover (Remove)
Specific solvents (oil-based or alcohol-based) designed to break the bond of Pros-Aide or Mastix without irritating the actor's skin. Slang: "Don't skimp on the remover, or you'll rip their skin off when you take off the makeup."
R
Visual consistency. If a character has a wound on their left cheek in scene 1, it must be in the exact same place in scene 2, even if it is filmed three months later.
Continuity of Intention
When the makeup is not identical by mistake, but because the character has evolved (getted dirty, sweated).
Lighting Connection
Understanding how light (cool or warm) affects the pigments you've applied. A 360 Makeup Artist knows that their foundation can change color depending on the lighting.
Ready to Roll
The signal that everything is ready. If you haven't finished the final touch-up, this is the moment to shout "Seconds!" to ask for one more moment.
Flashing
Excess material that spills over the edges of a mold. A good FX makeup artist cleans up the flash with precision scissors before applying the part.
Mirror reflection
The direct shine that bounces off the skin or prosthetics. If a prosthesis is too shiny, it gives away the trick on camera. This can be fixed with mattifying powder or anti-shine .
Resin (Epoxy/Polyurethane)
Rigid materials used in the workshop to manufacture tools, mold casings, or armor pieces that do not require flexibility.
Resume
To repeat a part of a take that has already been filmed. The makeup artist must ensure that the actor looks exactly the same as at the beginning of the retake.
Retouch
The makeup artist's constant activity during filming. "Going in to retouch" means taking advantage of camera breaks to tone down shine or smooth down loose edges.
Hot Touch-Up
This retouching is done with the camera ready to record, often with the director waiting. It requires nerves of steel and maximum precision.
Rick Baker
Winner of the first-ever Academy Award for Best Makeup for An American Werewolf in London . He is a master of modeling and mechanical effects applied to skin.
RiMEl (MASCARAS)
Eyelash lengthening product. It's called a mascara.
Block Filming
Filming multiple scenes that take place in the same location but at different points in the story requires extreme continuity control.
Runway
High-speed makeup. The makeup artist must be able to change looks in seconds between appearances.
S
Arterial blood is bright and fluid (oxygenated); venous blood is dark and dense. Knowing which to use adds medical realism to your special effects.
Script (Screening Secretary)
The continuity supervisor . If she says the actor had blood on his right side in the previous take, you have to correct it, even if you think otherwise. Her photos are the law.
Second Unit
Filming crew that records stock or action shots where the main actors are not present, but the makeup must be identical (Raccord).
Separate
The script pages that correspond only to the scenes being filmed that day. This is what the makeup artist always carries on set to refer to for the action.
Filming Set
The physical space where filming takes place. The makeup artist must know the "walkways" so as not to obstruct the lighting or camera crew.
SHEER / GLAZE
Low or light coverage.
SHIMMER / FROST
With glitter or a frosted effect.
Shore (Scale)
(Review) A measure of the hardness of elastomers. For a 360 Makeup Artist, understanding Shore is the difference between a mold that lasts for 100 copies and one that breaks on the first use.
Shooting
Generic term for a photo shoot, whether for fashion, editorial or catalog.
Shu Uemura
The Japanese brand that elevated makeup tools to precision objects. Its eyelash curler and cleansing oils are essential in any luxury makeup kit, especially in fashion and advertising.
Sides
The script pages that will be filmed that day. The makeup artist always carries them to know what effects or makeup changes are coming next.
Platinum Silicone
The jewel in the crown. Two-component silicone that stands out for its durability, zero shrinkage, and realism in imitating human skin.
Skin Illustrator
The ultimate alcohol lollipop brand. Created by Kenny Myers, they're the standard for creating bruises, skin textures, dirt, and blood that won't move.
Skin Tite
Smooth-On 's two-component silicone can be applied directly to the skin to create quick, mold-free effects.
Sling (Honda)
Material pouring technique to avoid bubbles, by dropping a very thin thread of silicone from a certain height.
SMOKEY EYES
Blurred and intense look on the eyes.
Snot
Generic term in the set for any mixture (usually methylcellulose-based) used to simulate viscous fluids.
Sound (Stick Boom Operator / Boom Operator)
Sometimes you'll need to help conceal the lavalier microphone under clothing or even a neck brace. Make sure the adhesive doesn't damage the audio equipment.
Spot
The television commercial. In a commercial, the pace is frantic and the 360 Makeup Artist must be able to maintain perfection under lights that quickly burn the product.
Stipple
Texturing the skin by stippling with a sponge or brush.
STORYBOARD
Scene-by-scene drawings of the advertisement. The makeup artist uses them to anticipate when the makeup needs more detail (close-ups of the product).
STROBING
The undertone of the skin (cool, warm, olive) is the secret to making a prosthesis blend in chromatically and not look like an "off-the-cuff".
Supracolor
Kryolan 's cream makeup line with very high coverage power, ideal for theater and basic characterizations.
T
Probably the strongest and most prestigious silicone adhesive on the market (from PPI). It is used to bond heavy prostheses or in areas of high movement where others would fail.
Telesis 8
The latest evolution of PPI silicone adhesives . Dries faster and is stronger than previous versions.
The process of adding pores, wrinkles, and micro-details to the clay sculpture using tools or stamps made of real skin.
TFP (Time For Portfolio)
A collaborative agreement between artists where no one gets paid, but everyone gains high-quality photos for their portfolio. Essential for aspiring makeup artists.
THAT'S A WRAP
In film and television, it marks the end of filming a scene, a day, or the entire production .
Tightlining
Outline the upper waterline.
TIME AROUND
Minimum rest time between workdays ( 12 hours ).
Time-lapse of Application
Speed-through footage of the FX makeup process. Very valuable for promoting the film and the artist's portfolio.
Alcohol Ink
Ultra-resistant pigments that are only activated with IPA. They are used to paint prosthetics because they do not run with sweat.
Take
Each recording of the same scene. "Take 1, take 2...". The makeup artist must be ready to touch up between takes if the action is very physical (sweat, blood, tears).
Top Coat
Final layer of nail polish applied at the end of the manicure, protecting the lacquered finish and providing durability.
Makeup Trailer / Caravan
Your command center. The mobile space where the main makeup looks are applied before going down to the set.
Transfer Paper
Special paper used to apply temporary tattoos or Bondo transfers precisely onto the skin.
Transfer
The act of passing the piece (of Bondo or silicone) from the flat mold directly to the actor's skin.
Trichology
The study of hair. Essential knowledge for the 360 Makeup Artist who performs advanced hair extensions.
OR
The evolution of HD requires an even more invisible blending technique. This is where Lolita molds shine with their ultra-thin edges.
Undertone
Skin undertone (cool, warm or neutral), the basis of all color choices.
Unicorn
(Industry slang) This is what we call a makeup artist capable of creating flawless beauty looks, hyperrealistic special effects, and managing the finances of their department. A 360 Makeup Artist is, essentially, a unicorn.
Undertone
Skin undertone (cool, warm or neutral), the basis of all color choices.
Urethane
Plastic material used in workshops, often in the form of foam to fill large, lightweight parts.
V
Process of removing excess material from a mold or clay from a sculpture to make room for the final material (silicone, resin).
Vaporization
Metal tool cleaning technique using heat to remove stubborn wax or adhesive residue.
Glazing
Extremely diluted and transparent layers of paint. In FX, glazes of different shades are applied to mimic the depth of human dermis.
Clothing / Tailoring
You work side by side. You must let them know if you're going to use blood so they can prepare "doubles" of the clothing, and they will let you know if the shirt collar will rub against your prosthesis; respect their work.
360 Versatility
An artist's ability to seamlessly transition from a fashion shoot to a horror set without sacrificing technical quality. That's the essence of Lolita Makeupshop's followers.
Veined
To draw fine veins or capillaries, either intrinsically or extrinsically, to break the uniformity of color in a prosthesis.
VFX (Visual Effects)
Everything is done by computer. The modern 360 Makeup Artist works "halfway" with them (e.g., you create the physical wound and they add the digital internal movement).
VISAGISM
A styling technique that highlights each person's natural beauty . In makeup, it is a A technique by which, through the use of light and shadow, we optically modify the shape of the face
Goo
The resistance of a fluid to flow. A low-viscosity silicone penetrates the mold's details better without trapping bubbles.
W
In wig making, this refers to the deformation of the lace (tulle) of a wig. A good professional knows how to tighten and care for the lace so that it doesn't lose its shape.
Water-based
Products whose main ingredient is water. They are easier to clean and less irritating, but less resistant to sweat than silicone or alcohol-based products.
Waterproof
Products that won't run due to humidity, rain, or sweat. In film, this is achieved using alcohol squeegees or acrylic sealants.
Wax (Modeling wax)
Classic material (Derma Wax) used for quick effects such as cuts or deformations directly on the skin. Slang: "Be careful with the wax outdoors, it melts if it's hot."
Westmore (Saga)
The most important makeup dynasty in Hollywood. George Westmore founded the first makeup department in 1917, and his descendants have led the way on film sets for over a century.
Wet Look
Achieved with glycerin or specific gels to simulate that an actor has just come out of the water or is in a state of extreme sweating.
WHISKING
Technique of mixing products with the aim of combining their advantages and benefits, thus obtaining more complete and personalized results.
Wig Cap (Hairnet)
A fine mesh that is placed to gather and flatten natural hair before putting on a wig or cap.
Work Order
Workshop document specifying each step, material, and time invested in the creation of a prosthesis.
X
Small yellow bumps appear on the eyelids. In character makeup for sick or elderly people, these are simulated with small applications of latex or quick-setting silicone.
Xylene
Very strong chemical solvent. Although it is used in workshops to clean resins, Maquillador 360 avoids its use near the skin due to its toxicity.
AND
A generation of makeup artists trained on digital platforms. While they bring a fresh perspective, the 360 Makeup Artist complements this knowledge with workshop techniques and professional set discipline.
Plaster (Plaster of Paris)
Basic workshop materials. From plaster of Paris to alpha, it is used for positives, negatives and mold casings.
Z
Digital sculpting software for preliminary design of creatures and prosthetics.
Zone T
The forehead, nose, and chin. This is the area where the on-set makeup artist must be most attentive to eliminate unwanted shine during filming.
This glossary isn't just a list of definitions; it's the map every 360 Makeup Artist needs to navigate the industry with confidence. Mastering terms like platinum inhibition , understanding the importance of the Kit Fee , or knowing how to orient a wound using Langer's Lines is what separates an amateur from a respected professional on set.
In film, fashion, and character design, precise communication is just as important as technical skill. Speaking the technical language of department heads and materials engineers gives you an immediate competitive edge.
Save this page to your favorites and refer to it whenever a new technical challenge arises. At Lolita Makeupshop , we'll continue to expand this "Bible" so you never stop learning, evolving, and creating the impossible.
See you at the next Makeup Artist shoot.
